Phoenix from the flames, what inspired the art gallery at Nottingham Castle?

Today we look at how the success of a Nottingham art school, founded on the lace and textile trade, led to one of Nottingham's grandest royal parades and the resurrection of Nottingham Castle from a burnt out hulk to today's fabulous Art Gallery and Museum...

In 1878 the pioneering Nottingham Castle Art Gallery and Museum became the first municipal art gallery to open outside of London. It was directly inspired by the success of the Nottingham School of Art, established in 1843 after years of lobbying by the town's textile manufacturers. They wanted it to develop new lace designs "to secure the interests of the lace trade and of the town". The "new" art school building on Waverley Street (shown above) was built in 1863 and the art school's success continues to the present day with the opening of the high-tech Design & Digital Arts (D&DA) building on Shakespeare Street¹. But back in 1872 the art school's success and prodigious output had inspired Nottingham's mayor to champion a new idea and a new use for the long-derelict castle...

The July 13th 1878 edition of The Graphic magazine takes up the story...

"THE Midland Counties Art Museum at Nottingham Castle, which was last week opened by the Prince and Princess of Wales, owed its origin in a great measure to the generosity and public spirit of the late Mr. William Geo. Ward², Mayor of Nottingham who died only a few weeks ago from injuries he sustained in consequence of a fall from his horse. So long ago as 1872 the success achieved by the students of the Nottingham School of Art induced the authorities of the Science and Art Department at South Kensington to suggest to the Town Council the establishment of an Exhibition of pictures and other artwork. The idea was at once adopted, a Committee was formed, an annual grant of money voted, and an Art Exhibition was soon opened in the Exchange Rooms. This became so popular, that the late Mayor and Town Council resolved on establishing a permanent Museum of Art, and the Castle was at once suggested as an appropriate site for it. Mr. Gladstone and Lord de Tabley, as trustees of the Duke of Newcastle, to whom the Castle belongs, were applied to for a lease, and they granted one for five hundred years; the Town Council undertaking to spend £20,000, upon the "restoration" or rather alteration of the building, and to "use and maintain it as a public Museum and Art Gallery." Great interest has been taken in the work during its progress by Mr. Gladstone, the Bishop of Lincoln, the Duke of St. Alban's, the High Sheriff of the town and county and the town of Nottingham, Lord Belper (Lord Lieutenant of the county), Lord Manvers, Lord Carnarvon, Mr. Samuel Morley, Mr. Mundella, and many other gentlemen connected with the county." 

1878 - Peveril Drive looks very boulevard-like and beautifully tree-lined
with the land dropping away below unlike today. Castle Boulevard³ was built
below it in 1884 and the land probably levelled out compared to this scene.

"The Castle stands on an eminence close to the town, and is surrounded by extensive grounds which have been very tastefully laid out. The building which has just been restored is of course not the old Norman structure of history. That was dismantled during the Civil War, and was subsequently bought by William Cavendish, first Duke of Newcastle, who planned and commenced the present Castle, which, it will be recollected, was sacked and burnt by a mob during the riots which preceded the Reform Bill of 1832; the Duke of Newcastle of that day having made himself unpopular by saying that he "would do what he liked with his own." For many years the Castle Rock remained a scene of desolation, save at Easter and Whitsuntide, when the magnificent site was utilised for galas."

"And what a mass of humanity! Never before, probably, in the history of
good old Nottingham, has the Great Market-place witnessed such a multitude of human souls."

Great Royal Procession

"On Wednesday 3rd July 1878, the Prince and Princess of Wales attended the opening of the Midland Counties Art Museum, which has been established at Nottingham Castle. 

The Prince and Princess of Wales, who had arrived at Bestwood as the guests of the Duke of St. Albans on the previous day, drove thence in an open carriage, and were met at the entrance of the town by the Mayor and Corporation and a number of other notabilities who were interested in the ceremony, and who came in procession from the Nottingham School of Art. The whole town of course made holiday and turned out to enjoy the show. The streets through which the procession passed were draped with many-coloured flags, and lined on either side with Venetian masts. One street was transformed into a continuous triumphal arch by being covered in with a species of curved basketwork; and in many places a novel and dazzling effect was produced by the lavish use of beautiful lace hangings.

In the marketplace the scene was most imposing. The market-place is one of the most spacious in the kingdom, covering an area of nearly six acres, and its appearance is rendered quaint and picturesque by the colonnade which, formed by the projecting fronts of the upper storeys of the houses, surrounds it. The houses on all sides were hung with scarlet cloth and festoons of flowers, trophies of flags being fixed between the upper windows. The square was surrounded by Venetian masts, and from top to top of these masts were suspended strings of countless small banners. Every window, and even the tops of the houses, were thronged with spectators, and in the marketplace itself there was an immense crowd. It was here that the procession. halted while the Sunday school children sang a verse of "God Bless the Prince of Wales," The line of route was kept by the South Regiment from Sheffield, and squadrons both of Lancers and the North Notts Yeomanry, whilst on the "Castle Green" were posted the "Robin Hoods," a famous rifle corps, which numbers nearly 1,000 strong".

A more detailed description of the procession can be found further below from the Nottingham Date Book.

Sweeping into Nottingham Castle heading for Castle Green

Inspiration for other cities

William Felkin (not Les Dawson)
Nottingham's pioneering, industry-sponsored art and (more importantly) design school was also an inspiration for other cities. It was one of twenty similar institutions established in the United Kingdom's manufacturing centres between 1837 and 1851. Set up as a consequence of the evidence given to the House of Commons Select Committee on Arts by provincial textile manufactures in 1835-1836. The Government Schools hoped to improve the quality of the country's product design through a system of education that provided training in design for industry. 
Nottingham lace manufacturer William Felkin was instrumental in influencing the committee. With the help of South Nottinghamshire's MP, Lancelot Rolleston of Watnall Hall, Felkin lobbied for the establishment of a school of design. His campaign began in 1836 and finally resulted in the opening of the Nottingham school in 1843 then called "The Government School of Design". Somerset House in South Kensington was the first of such schools to be established, opening in 1837 and others followed throughout the provinces.

When the Glasgow School of Art opened two years after Nottingham in 1845 it too was called the  "Glasgow Government School of Design". 

TW Rolleston
Writing in 1901 Dublin-based author T.W. Rolleston (from the Irish branch of the Watnall Hall Rolleston family) lamented Ireland's lack of such a facility... 

"Except in some departments of women's work, such as lace and embroidery. . we have practically no such thing in Ireland on the application of original artistic facility to industry. I am, of course, aware that there are classes for wood carving and metalwork, where pupils are able to make excellent copies of the ready made designs that one can buy by the hundred in the tool shops. There is no general diffusion of good designing or even of decent technical ability but art schools and classes and similar government institutions can do a great deal... now that we have cut loose from the paralysing influence of South Kensington". 

Rolleston believed the art school was not only to teach drawing, but to train... "the mind and taste. The art school can provide surroundings to offset the ugliness of the modern world. An art school like every other agency of civilization, must endeavour as one of the prime features of its system, to familiarise its student with the past art life of their own country The great need of modern Ireland is to be reunited with its past". The essential condition of progress was a link between art and industry. "Art must be brought into the workshop, or the worker into the school of art". 

This is an interesting foretaste of Bauhaus theory, a critique of craftsmanship and a plea for Irish art education to strike out on its own.

How did the Castle's re-opening celebrations get paid for?

The Nottingham Date Book for 1878 answers that interesting question, follows with its own detailed description of the day's events and ends with a notable technological breakthrough for the city of Nottingham and the Castle...

May 20 1878 - At a meeting of the Town Council it was agreed to pay the expenses of the celebration of the opening of the Castle Museum out of the profits from the gas undertaking during the current year. [Presumably the Corporation undertook to supply gas as a commercial exercise]

July 3 1878 - The Midland Counties Art Museum at Nottingham Castle was opened by His Royal Highness the Prince of Wales, who was accompanied by the Princess, and the day's proceedings were characterised by all the éclat consequent on the visit of royalty. On the evening of the 2nd, the Prince and Princess arrived at Daybrook station for Bestwood Park, the seat of His Grace the Duke of St. Albans, of whom their Royal Highnesses were the guests. 

On the morning of the 3rd it rained! Not mere drizzle, but great big drops that seemed calculated to play sad havoc with the fragile festoons. If ever a blessing did come in a disguise, it was the rain on that Wednesday morning. It laid the dust, it refreshed the evergreens, it made the atmosphere delightfully cool and pleasant. Presently, the sun shone forth in all the brilliancy of "Queen's weather;" hopes half shattered were revived; people crowded into the town by thousands and tens of thousands, and took up their position along the line of route, something like three miles in extent in the first instance. 

At half-past ten, the members of the Corporation, borough officials, and others, assembled at the School of Art, Waverley-street, from whence they proceeded, at noon, via Forest-road on to Mansfield-road, there to await in their long line of carriages the arrival of the Royal party from Bestwood. At twelve o'clock, the distant cheers told unmistakeably that the Prince and Princess were approaching. A flourish of trumpets greeted them on nearing the "arch of welcome," and the famous band of the Robin Hood Rifles struck up the first six bars of "God save the Queen." The procession was of considerable length, and included the Mayor, the Lord Lieutenant of the county, the Sheriff of the town, the High Sheriff of the county, the Lord Bishop of Lincoln, and numerous other distinguished personages, the members of the Castle Museum Committee and of the Corporation, borough officials, representatives of Friendly Societies, and others, all of whom were, of course, in carriages. The Royal carriage was escorted by a detachment of the 17th Lancers, and by squadrons of the South Notts. Yeomanry and the Sherwood Rangers; and the Prince and Princess of Wales were attended by the Duke of St. Albans and Sir Dighton Probyn. 

At the top of Mansfield-road a magnificent and substantial triumphal arch had been erected, on either side of which were displayed the words, "Welcome to Nottingham," where the Royal party were received with a salute by a guard of honour of the Robin Hood Rifles. On Mansfield-road crimson Venetian masts had been erected, to contrast with the green foliage, each pole being surmounted by a flag or bannerette, with mid-way a shield supporting a number of smaller flags, and the decorations on the houses were extremely beautiful, reflecting great credit upon the taste of the inhabitants. Lace being the chief staple trade of the town, there was no end to the display of the textile fabric, which, especially when hung over scarlet and crimson drapery, demonstrated in an effective fashion its adaptability for decorative purposes. A number of spacious platforms had been erected on Mansfield-road, which were embellished with lace, drapery, and an unlimited amount of bunting. The sight of sights, however, was to be witnessed during the time of the procession crossing the Market-place. The bewildering scene here presented can be more readily imagined than described

The decorations on the Exchange façade were simply perfect, whilst suspended from the Venetian masts which surrounded the square. were countless small flags similar to those previously referred to. The houses were uniformly draped with crimson cloth and lace, with an interlacing design of blue artificial flowers. And what a mass of humanity! Never before, probably, in the history of good old Nottingham, has the Great Market-place witnessed such a multitude of human souls. Here, too, 17,000 school-children over the age of nine years, were assembled within barriers erected for the purpose. As soon as the Royal carriage appeared in sight, the youthful army, under the able conductorship of Mr. F. M. Ward, united in singing the National Anthem. On the arrival of the Prince and Princess alongside the barriers, the carriage stopped, whilst the children sang "God bless the Prince of Wales." The Princess was visibly affected, and it was a graceful act that of receiving a bouquet of flowers from the hands of one of the fair little singers. In chapel-bar the festoons again were very effective, and Derby-road was gay with Venetian masts, bunting, lace, drapery, and evergreens. At the top of Derby-road was another triumphal arch, this one having been raised under the auspices of the Nottingham Rowing Club, the leading members of which, loftily seated in an eight-oared outrigger, "tossed oars" on the approach of the Royal carriage, which here again stopped for a few moments. More music, more tremendous cheering, and on again went the procession at a quickened pace. Beyond what had been done by private residents, no decorations were attempted in the Park, the natural loveliness of which rendered such inadvisable. In Newcastle-circus, there was a large gathering of school children of too tender an age to take part in the Market-place demonstration. Proceeding along Park drive, the gates were reached, where another strong guard of honour of the Robin Hood Rifles was posted, who saluted whilst the band of the regiment again played a portion of the "National Anthem." 

There was a brilliant assemblage on the Castle Green, round three sides of which the remainder of the Robin Hood Rifles were ranged, under the command of Lieut.-Colonel Seely. The Prince eventually unlocked the door at the principal entrance to the Museum with a key of exquisite workmanship, manufactured for the occasion, after which their Royal Highnesses were con-ducted to the reception rooms prepared for them. A number of presentations were made, including the Mayor, the Deputy-Mayor, the Sheriff, the Vice-Chairman of the Castle Museum Committee, and several Aldermen and Councillors. Their Royal Highnesses then commenced a tour of the interior of the Museum, Mr. Hine, the architect, and Mr. Wallis, the curator, acting as guides. 

The opening ceremony took place under a pavilion erected on the green. The Town Clerk, Mr. S. G. Johnson, having read the address, the Prince read his reply, in which he expressed the gratification it afforded him and the Princess "to be able to visit so important and prosperous a town, and to attend the opening of the Midland Counties Museum." "Nottingham has taken the lead," continued His Royal Highness, "in carrying out one of the principal objects entertained by the Prince Consort, my lamented father, when he established a National Art Museum at South Kensington, au example which, I trust, will speedily be followed by other municipal bodies throughout the United Kingdom." The Bishop of Lincoln having offered up prayer, the Prince stepped forward, and in distinct tones declared the Museum to be open. A round of hearty applause, with much waving of hats and handkerchiefs, greeted this announcement, and the band of the Royal Artillery played "Rule Britannia." 

In the afternoon, a large and influential assembly partook of the hospitality provided at the Mayor's luncheon at the Exchange -which was of a private character. Dense crowds thronged the streets during the remainder of the day, the band of the Cold-stream Guards being stationed in the Market-place, and other bands in various parts of the town. At night the town was brilliantly illuminated, and there was a display of fireworks on the Forest, by Mr. Brock, of the Crystal Palace, on a grand scale, fiery portraits being given of the Prince of Wales and the late Mayor, Alderman W. G. Ward. In the Market-place and from the Castle the electric light converted midnight into noontide, as it were, and the great day terminated in a manner highly gratifying to all those concerned in the management of affairs, and to the thousands of sightseers at large. 

First telephonic communication in Nottingham established between the Castle Museum and the Police Station, St. John's-street, on the 23rd of June previous.





Notes and Sources

The Graphic 13th July 1878

https://archive.org/details/nationalgraphic1878unse/page/34/mode/1up?view=theater&q=nottingham

"6th July 1878 - On Wednesday, the Prince and Princess of Wales attended the opening of the Midland Counties An Museum, which has been established at Nottingham Castle. Their Royal Highnesses, who were the guests of the Duke of St. Alban s at Best wood, drove thence to the city, where they were received by the Corporation and the Lord Lieutenant of the county, and were conducted in procession through the streets which were gaily decorated, and lined with volunteers, yeomanry, and regular soldiers. About 17.000 [ed - really? Population of Nottm was 159,000] Sunday School children, who were assembled at one point on the route, sang God Bless the Prince of Wales ” as the cortlge went by.

On Tuesday the Prince and Princess went to Bestwood Hall, Nottingham, the seat of the Duke of St. Alban's, and on Wednesday opened the Nottingham Castle Museum. As we shall probably publish some illustrations of the proceedings, we reserve any detailed account. On Thursday the Prince and Princess left Nottingham, for Peterborough, on a visit to the Marquis of Huntly and Earl Fitzwilliam, and were present at the Hound Show and Agricultural Exhibition.

THE NOTTINGHAM MUSEUM THE Midland Coun- ties Art Museum at Nottingham Castle, which was last week opened by the Prince and Princess of Wales, owed its origin in a great measure to the generosity and public spirit of the late Mr. William Geo. Ward, Mayor of Nottingham who died only a few weeks ago from in juries he sustained in consequence of a fall from his horse. 

So long ago as 1872 the success achieved by the students of the Nottingham School of Art induced the authorities of the Science and Art De- partment at South Kensington to suggest to the Town Council the establishment of an Exhibition of pic- tures and other art- work. The idea was at once adopted, a Committee was formed, an annual grant of money voted, and an Art Exhibition was soon opened in the Exchange Rooms. This became so popular, that the late Mayor and Town Council resolved on establishing a permanent Museum of Art, and the Castle was at once suggested as an appropriate site for it. Mr. Gladstone and Lord de Tabley, as trustees of the Duke of Newcastle, to whom the Castle belongs, were applied to for a lease, and they granted one for five hundred years; the Town Council undertaking to spend 20,000/, upon the "restoration" or rather alteration of the building, and to "use and maintain it as a public Museum and Art Gallery." Great interest has been taken in the work during its progress by Mr. Gladstone, the Bishop of Lincoln, the Duke of St. Alban's, the High Sheriff of the town and county and the town of Nottingham, Lord Belper (Lord Lieutenant of the county), Lord Manvers, Lord Carnarvon, Mr. Samuel Morley, Mr. Mundella, and many other gentlemen connected with the county. 

The Castle stands on an eminence close to the town, and is surrounded by extensive grounds which have been very tastefully laid out. The building which has just been restored is of course not the old Norman structure of history. That was dismantled during the Civil War, and was subsequently bought by William Cavendish, first Duke of Newcastle, who planned and commenced the present Castle, which, it will be recollected, was sacked and burnt by a mob during the riots which preceded the Reform Bill of 1832; the Duke of Newcastle of that day having made himself unpopular by saying that he "would do what he liked with his own." For many years the Castle Rock remained a scene of desolation, save at Easter and Whitsuntide, when the magnificent site was utilised for galas, and latterly the building has been the head-quarters of the Robin Hood Rifles until the work of adapting it for its new purpose began. The Museum, as it now stands, consists of two storeys, the lower one containing seven spacious rooms, whilst in the upper, which is reached by two staircases of stone, there are six magnificent galleries. The outer walls are of enormous thickness, and the internal arrangements are of special fire-proof construction. The Director and Curator is Mr. G. H. Wallis, lately of South Kensington Museum; and it is the intention of the Council to carry out the system of administration and custody of objects of art lent to the Museum which has been so successful at South Kensington. The contents of the Exhibition are of course of a very varied character. Paintings, both old and modern, by British and foreign artists, in oil and water colours. Lace, old and new, hand-made (this is the staple industry of the town of Nottingham). Tapestry, needle- work, embroideries, pottery, porcelain and glass; armour and ironwork; specimens of carving in wood, ivory, and other materials; architectural and archeological relics, sculpture, bronzes, and jewellery. 

One room is entirely devoted to pictures painted by Mr. Henry Dawson, who was himself present at the opening, and who, though not a native of Nottingham, was taken thither when quite an infant, and in his early life worked as a "twist hand" in one of the lace factories. 

The weather on the opening day was brilliantly fine, although rain fell copiously enough during the early morning. The Prince and Princess of Wales, who had arrived at Bestwood, the Duke of St. Alban's seat, on the previous day, drove thence in an open carriage, and were met at the entrance of the town by the Mayor and Corpora tion and a number of other notabilities who were interested in the ceremony, and who came in procession from the Nottingham School of Art, The whole town of course made holiday, lay, and turned out to enjoy the show. The streets through which the procession passed were draped with many-coloured flags, and lined on either side with Venetian masts. One street was transformed into a continuous triumphal arch by being covered in with a species of curved basket - work; and in many places a novel and dazzling effect was produced by the lavish use of beautiful lace hang- ings. In the market- place the scene was most imposing. The market-place is one of the most spacious in the kingdom, cover- ing an area of nearly six acres, and its ap- pearance is rendered quaint and picturesque by the colonnade which, formed by the projecting fronts of the upper storeys of the houses, surrounds it. The houses on all sides were hung with scarlet cloth and fes- toons of flowers, trophies of flags being fixed between the upper windows. The square was surrounded by Venetian masts, and from top to top of these masts were suspended strings of countless small ban- ners. Every window, and even the tops of the houses, were thronged with spec- tators, and in the marketplace itself there was an immense crowd. It was here that the procession. halted while the Sun- dayschool children sang a verse of "God Bless the Prince of Wales," The line of route was kept by the Soth Regiment from Sheffield, and squad- rons both of Lancers and the North Notts Yeomanry, whilst on the "Castle Green" were posted the "Ro- bin Hoods," a famous rifle corps, whichnum- bers nearly 1,000 strong. 

As the cortige passed through the grounds the band of the Royal Artillery performed a selection of music composed for the occasion by Mr. J. Farmer to words writ- ten by Mr. Bailey (the author of "Fes- tus" both of whom are natives of Not- tingham. 

At the entrance to the Castle the Mayor, Mr. James Oldknow, received from the architect, Mr. T. C. Hine, a handsomely-chased key, which he immediately presented to His Royal Highness the Prince of Wales, who, amid loud cheers, proceeded to open the door of the Museum. Then came the inspection of the building and its contents; after which the Royal party partook of luncheon and then returned to the lawn, where, under a pavilion, the Prince received an address from the Corporation, and made a suitable reply, in which he alluded in feeling terms to the sad accident which had caused the death of the late Mayor. The Prince having declared the Museum and grounds open, the Royal party returned to Bestwood, taking a different route through the town, and being enthusiastically cheered, as they had been on their way to the Castle. 

The Mayor and members of the Corporation lunched together at the Exchange in celebration of the event; and in the evening many parts of the town were illuminated, and there was a display of fireworks in the Forest."

- The Metropolitan School of Art, 1900-1923 (Part 2) PROF. JOHN TURPIN (Read to the Old Dublin Society, 15th December, 1982)

- Felkin, W. -  A History of Machine-Wrought Hosiery and Lace Manufactures 1867, extracts from...

"In 1837...The author, considering it the more practical way of meeting it, and endeavouring to forecast the future, took that occasion to propose — as means of securing in due time results highly beneficial to the trades of Nottingham and its sister towns — the establishment of schools of design ; collections of models, patterns, and drawings; an alternate annual exhibition of the productions of the three counties; the adoption of measures for securing inventors' and trades' rights respectively, together with other measures, whereby the taste of fancy designers and the fabrics from our looms might be improved; and then — while making machine-wrought hosiery and lace more and more worthy of approval by the leaders of fashion — ^taking well considered steps to bring them with eiffect under their notice, and that of the general mass of consumers."

1846 - "The government school of design had been established some time, and was working very successfully. Appropriate patterns were gradually multiplied, and the business of designing for the lace trade was introduced." p.378

"The local School of Art and Design has been far more effective in promoting knowledge of the principles which govern taste in the choice of drawings, with a view to their successful application in the peculiar tissues of lace, than was once thought possible. It is but comparatively a few years since the idea was first broached in the press of Nottingham, that such an institution was absolutely necessary to secure the interests of the lace trade and of the town."

"The author has had the opportunity of lately inspecting four such large pattern books filled with examples of white cotton, white silk, and black silk run and tambour worked lace, in about equal proportions. They are supposed to be of the manufacture carried on by the Haynes, and contain 11,930 specimens dating from 1797, presenting curious and very striking contrasts in regard to style and taste with the designs of the present day, though the net ground is as regular and perfect as machinery or hand has ever produced. There are rose trees with stems as straight and bare as a hop-pole, flowers without a curved line in them, perfect triangles ; masses of cloth work with hideous Hindoo or Chinese configurations, without the slightest approach to a flowing line in leaf or bud or stalk. In a word, they prove the absence of all knowledge of the art of design in the machine lace trade of that time, although the amount of work put in never was greater, nor on the whole more conscientiously performed. On the side of taste the present lace manufacturers of Nottingham immeasurably surpass their predecessors of fifty years ago. Another later set of patterns worked on the same grounds, are of gradually improving forms and taste. They are believed to have been Maltby's, consisting of 6000 specimens ; one volume of 2000 patterns, supposed to be Wilson's, contains some which are better still. These volumes, containing altogether about 22000 patterns, are preserved for reference at the School of Art, People s Hall, and Mechanic's Institute. Large and useful additions may be expected to be made to this collection from time to time."

1 - The new Design & Digital Arts (D&DA) building at Nottingham Trent University (NTU)


https://en.wikipedia.org/wiki/Nottingham_Trent_University,_School_of_Art_and_Design

2 - WILLIAM GEORGE WARD, (1825-78), J.P. twice Mayor of Nottingham, has his memorial not so much in the house where he lived, No. 5, Newcastle Drive, nor in the factory at New Basford, nor in the Rock Valley in the Church Cemetery, nor in the portrait in the Guildhall, painted by Redgate, by order of the Town Council, nor in the stained glass window dedicated to his memory in Christ Church, where he attended, but it is rather in the Institution of the Castle Art Gallery and Museum. For when he was Mayor, in 1871, and Chairman of the School of Art Committee, he communicated with the Authorities at South Kensington as to an Art Museum, and the year following an Art Exhibition was held in the Exchange Hall and rooms, being the first permanent provincial museum formed in connection with South Kensington. From that time until his death Mr. Ward was largely occupied in negotiating for a lease of the Castle and grounds from the trustees of the Duke of Newcastle, in persuading the Town Council to adopt its conditions, and make a grant of £6,000, in begging for donations towards a fund, £12,000 of which was promised, his firm giving £1,000, for transforming the ruins and desolation of the building and its grounds, and adapting them to their present purpose; in securing from the Government such aid as was practicable, and in making arrangements for the formal opening by H.R.H. the Prince of Wales, on July 5th, 1878, but he died nineteen days before that event.

Mr. Ward was born in Nottingham, but brought up at Stapleford, where his father was overlooker at Mr. Street's Lace Factory, and afterwards was a partner in the firm of Whiteley, Ward & Stevens, and he was both a Wesleyan and Parish Churchwarden. The boy went to a good school at Trowell Moor, and afterwards attended Mr. Biddulph's School at Willoughby House, Low Pavement. He made himself thoroughly proficient in Pitman's system of Shorthand, so that at eighteen, and for two years afterwards, he was engaged to form classes and lectures upon Phonography in the principal towns of Lancashire, and in the South of England. This was useful educationally, but poor financially. He then went into a lace warehouse at £50 a year salary, and at twenty he entered the service of Copestake, Moore & Co., in Hounds Gate, where he remained ten years, beginning at the bottom, and ending by having the management of the concern. Mr. William Cope, Lace Manufacturer, had his machines in a factory in Broad Marsh, dark and unhealthy. He was a clever mechanic, but needed someone with commercial ability, and the capacity for managing workpeople. The firm thereupon became Cope & Ward. Shortly afterwards Robinson Son & Sissling, of New Basford, who were at the head of the manufacture of Lace Curtains, had unwisely entered also into the Botary Hosiery trade, for which they had not sufficient capital, and W. G. Ward bought up the whole concern. This enormously extended the business of his firm, who thereupon removed their machinery to New Basford, and Thomas Robinson, junior, became cashier of the firm and so continued forty years, greatly to the firm's advantage.

At that time Basford was a big neglected village, not paved, sewered or lighted. By great energy Mr. Ward secured the adoption of Local Government; Basford being the first village in the Midland district enjoying that benefit.

In 1859, W. G. Ward was Sheriff of the town, and the year following he aided in the formation of the Chamber of Commerce, and gave evidence in Paris as to the commercial treaty between England and France. He assisted Mr. Mundella in the formation of Boards of Conciliation and Arbitration. In 1869 he was elected to the Town Council, and the year following, to the first School Board, of which he became Vice-Chairman, and was made Chairman of the School of Art Committee, and Mayor in 1871, as already named. He afterwards took part with others in the establishment of the University College. In a speech of much ability and comprehensiveness he proposed the extension of the Borough boundaries by the inclusion of Lenton, Radford, Basford, Bulwell, Sneinton, the Park, and parts of Wilford and Gedling, and the absorption of their Local Boards and Authorities, and when this was accomplished in 1877, he was elected first Mayor of the extended town, which was then estimated to have a population of 157,310.

In the June following he, with his son, was returning from a ride in the country, (riding being one of his favourite exercises, and he prided himself on being a good judge of a horse) when near the foot of the Castle Rock he fell from his horse, and died the next day. There was at the funeral a great procession to the Church Cemetery, of the Magistrates, the High Sheriff, the Corporation, the Police and their band, the Robin Hoods (450 in number) and their band, representatives of the Guardians, the School Board, and other public bodies, the workpeople of the Firm, and an immense concourse of probably thirty thousand spectators.

On the night of the opening of the Castle Museum by H.R.H. the Prince of Wales, there were extensive fireworks, among which were the fiery portraits of the Prince and Mr. Ward, and in the following month the succeeding Mayor, Alderman Oldknow, was knighted in honour of the enterprise successfully inaugurated.

He was a great admirer of good paintings (having studied Ruskin—his favourite author) and he collected many, and it was to him a great delight to describe to his children, and to friends, the points of beauty, with a view to develop in them a love of the beautiful in both nature and art. He was a forceful speaker, and carried conviction with his advocacy. He had improved his style of address by taking an active part in the Mechanics' Hall Discussion Class where he read papers. In games, chess was his special delight, and he could hold his own with any local player.

Sir Henry Cole, K.C.B., in "Fifty years of Public Work,'" gives an account of how Nottingham Castle Museum arose, and says:—"The town had for many years possessed a flourishing and large School of Art, but there was no Art Museum. In respect of this latter, the late Mr. W. G.Ward, of Nottingham, applied to Mr. Cole for advice in 1871. On the 15th January, 1872 he addressed a letter upon the subject to Mr. Ward, who was then Mayor of Nottingham. "The contemplated conversion of the Castle was affected mainly through the untiring exertions of Mr. Ward."*

As showing the extent of Mr. Ward's collections it may be named that there were two days sale of pictures and articles of vertu at Christie's, and five days sale of furniture at Newcastle Drive.

Nearly half a century has since passed, but Nottingham has had few Mayors with equal foresight, capacity, energy, and determination, for whatever he undertook had in some way to be accomplished.

His son, the Rev. G.W. C. Ward, B.A., has published the "Life and Letters of the Rev. F. A. Pyper, M.A.," a worthy soul, whose life was too short. I am indebted to Mr. Ward for aid in the foregoing paper.

3 - Castle Boulevard was built in 1884 below Peveril Drive - from Lenton Times
https://www.lentontimes.co.uk/streets/castle_boulevard.htm
"We included the previous photograph because the building shown in it also pictured in this 1888 line drawing. When Castle Boulevard was originally opened in 1884 it was called Lenton Boulevard and the portion of the Boulevard from Wilford Street to Hungerton Street in Lenton was only given its present name in about 1908/9."

Nice to see the facade shown in the 1884 drawing still exists in 2024


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